![]() But seeing the concept art that birthed this sci-fi staple is just a treat. Seeing how the world of The Fifth Element looked in the movie is amazing. Which makes sense given that the great Moebius was one of the concept artists (although it’s complicated). Everything in this movie bleeds cyberpunk and is futuristic eye candy, like a more fun version of Blade Runner. Janelle Mone Transforms Into the Alien Diva from ‘The Fifth Element’ with Impressive Floor-Length Tentacles & Latex Skirt for Halloween By Ashley Rushford Octo3:42 pm View. But besides the campiness and “Moolteepass!”, The Fifth Element is as timeless and lasting as it is because of its artistic design. And sure, it may be swiss-cheesed with plot holes, but those too are forgiven by the explanation, “dude who cares, it’s The Fifth Element.” The Fifth Element Diva Song Was Literally Impossible to Sing Until Now. ![]() ![]() She gives a moving performance before losing her life. While the Mad scene is far from the most traditional of operatic moments, it still retains the double aria structure of “slow” and “fast.” So too does Besson in this choice.Ĭheck it out to get an idea of how Besson works this scene, and by extension, his films as a whole.If ever there was a truly ageless movie, it’d be The Fifth Element. Not even arguably – that’s just (biased) fact.Īny crappy ’90s effects are quickly forgiven by the fact that the movie seethes campiness in the best way. The Diva (Mawenn Besco) is an alien opera singer who carries four engraved stones, four of the five elements, inside her. And yet, it keeps in line with the operatic structure of a bel canto opera, albeit with a pop twist. With its hyperactive coloratura leaps and almost impossible vocal lines, it is a stark contrast to Donizetti’s perfectly written lyrical style. And just when you are lulled into the world of opera, Diva Plavalaguna pulls out a dance number (called “The Diva Dance” in the soundtrack) by Éric Serra. We get everything you might expect from Lucia in this segment. In a four-plus minute single take, we see the soprano take on the beginning of the famous mad scene from “Lucia di Lammermoor.” It’s actually a rather famous story as Besson reportedly wanted to use the voice of Maria Callas for this segment, but due to sound issues, he opted for Inva Mula, who dubbed the singing section of it. And sure enough, when we first meet her, that is exactly what we get. The constant mentions of the opera singer soprano have us creating ideas that she might just be a relic of history in a rather bizarre world we’ve experienced. We’ve heard about her throughout the film as the key to having the element stones everyone is after. That is essentially what he does almost halfway through “The Fifth Element” when he finally introduces Diva Plavalaguna. And yet, the director strikes a balance with these two opposing sentiments so that we never doubt his presence as a potent antagonist the hero Leon. In fact, you start to wonder just how far Besson might push that comic aspect at times. Meanwhile, Norman is a murderous villain who still gives us a few laughs due to his pathetic nature. Inva Mula Mundo Eurus 16.6K subscribers Subscribe 3. Besson pushes the subject a bit to shock the audience, but never far enough that we stop believing the character altogether. The Fifth Element - The Diva Dance (English Lyric Video) feat. We sympathize with Mathilda’s plight and yet she scares us out a bit with her subdued infatuation with Leon. One of my favorite examples has to be in “Leon the Professional” where its characters, particularly the precocious 12-year-old Mathilda Lando and Norman Stansfield, are both familiar and off-putting at the same time. ![]() It’s an odd balance that he strikes so beautifully in all his work. An aria from the 'mad scene,' 'Il dolce suono' (from the 3rd Act), was re-popularized when it was featured in the Luc Besson film 'The Fifth Element' in a performance by the alien diva Plavalaguna (voiced by Albanian soprano Inva Mulla Tchacko and played onscreen by French actress Mawenn Le Besco). We always feel that his most outrageous moments are not so outlandish. And yet we always feel that he’s retaining a certain level of conservative cinematic structure in his movies. Just when you think you might have his intentions pinned down because he’s given you something rather traditional, he throws a curveball that turns expectations on their head. The director, whether working on an animated film, a suspense thriller, or a sci-fi classic, always manages to keep the viewer shocked and comfortable at the same time. Luc Besson’s films are strange and yet familiar. This week’s installment features Luc Besson’s “ The Fifth Element.” We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. “Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. ![]()
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